Saturday, October 22, 2011

Blog Topic #9

I videotaped a VTS session discussing Millet's First Steps for my second video submission. I deviated from the VTS list because I needed to discuss two common core artworks with kindergarten. There is a three week gap between that lesson and this post.

Student Engagement
The students are just as willing to participate in the discussion. The change I noticed in this session was that the students let be give a brief opening blurb about the rules. Also - I sped through the rules - I didn't ask them to tell me what listening looks like (open ears, closed mouth). The students first noticed the figures in the foreground. The students really focused on the stopped action of the figures, and most of their comments were were of their perceptions of the figures' gestures. Also, very early on in the discussion, some of the students were trying to define the setting of the painting. One said a backyard because of the fence, another noticed the leaves and the ground, and still another said a leave was a frog and the fence was a river. About mid discussion, a student identified the seasons by comparing the trees - 'that tree over there, some of it has leaves and that one doesn't have leaves. It's fall and it's about to be winter there." After being asked the third question, he said he knew it wasn't winter because of the people weren't wearing winter clothes.  The language isn't conditional yet. The students are expressing their observations concretely. Some students say , "I think that....." Right now, I think that is how they are referencing others statements. For example, one student might say , "I see green leaves on that tree." In about 3-5 minutes another student will say, "I think that green thing there is a frog." The students are respectful, but they are kindergartners. Quite a few are kinetic and wiggle, which causes disruptions for others.
I find that I modify the first question from what can we find to what can you find, or even Emily, what can you find in this picture (to get someone's attention). It hasn't caused a problem in the way the students respond. The students added more narrative to their meaning making - perhaps they will continue to look for relationships in art.

Reflective Practice
I felt that this session was successful. The students were supposed to discuss the artwork in art class so they could go back to the classroom and write a story about it in a few weeks time. I will get some of the examples of student writing soon and see how their discussion was reflected in their writing.

The discoveries I am making now are related to just how bright some of the students are. (None of them are dull.) I have the same lunch time as the kindergarten teachers. The teacher of this class identifies two students as being advanced as far as reading and writing. That is her definition of bright. I have identified four students that make original, insightful observations that they can back up with evidence.  One if them is one of her "bright students." The boy that makes comments that seems most developmentally above his peers shocked the teacher. He had identified the three bears as being the same size, but being on different size rocks in the last discussion, and this discussion made the comment about the trees and the transition of the seasons.  He may not read or write well, but he is one of my shining stars. It is at times like these that I start making links between this class and the gifted and talented classes I am taking at UALR. Advanced language skills, including reading and writing, are often an attribute of gifted children. But there are also times when cognitive skills outpace motor development. Especially in boys, who tend to develop fine motor writing skills later than girls. Anywho, all it does is confound my ability to define intelligence in any domain!

 Planning
Since I no longer need to hold the VTS card during discussions, I am going to hold a checklist to make sure I call on the students equally.

Sunday, October 2, 2011

Final Project

I am holding strong on the concept of layers for my summative assignment. I also want to incorporate movement into the piece. Maybe a mobile of sorts? I have wanted to put together a moving sculpture for a while based on the layers of trees I see out by back window. When it is windy, they move in their own layers from side to side. However, my VTS piece will incorporate figures and concepts somehow. My initial concept is metal (aluminum is what I have on hand). My question is the type of hinges to use to facilitate easy movement. The hinges would be part of the base. I want it to be able to sit on a tabletop, and be no bigger than an 11x14" frame, though it would have to be deeper. Any suggestions on hinges would be appreciated.

Blog #8


Millet The First Steps 
Source: Google Images


My focus class is a kindergarten class of fifteen students.  There are two reasons I have chosen this image as a good VTS choice for these students.

Reason #1: My school district has adopted the common core curriculum, and spent all last year building lessons for grades K-2. The current kindergarten unit states:

“After looking closely at three art pieces with the same name, “First Steps,” choose one of the paintings and imagine it shows the end of a story. Pair students to make up the beginning and middle of the story to share with the class. Prompt: Choose one of the paintings and write (or dictate) a sentence telling why you chose that painting as your favorite. Be sure to begin your sentence with a capital letter and put a period at the end. (W.K.1, W.K.3)”


“ART TEACHER WILL TEACH THIS:
  • RL.K.9 To introduce “versions” of a story to your class, use Millet’s First Steps as the original idea. Allow the class to study the painting, giving plenty of time to notice details and create a possible story surrounding the painting. Then pull out Van Gogh’s First Steps, after Millet and have the class note how the “original characters are still in the story” but also that it all looks different. (Millet: People are prominent. Van Gogh: People are no longer the focus; everything appears equal in weight—the gate, the wheelbarrow, the tree in the background. The baby doesn’t even have a face anymore.) Picasso’s First Steps will amaze the class with the same idea but in a completely different setting, choice of color, and style. “

Disclaimer: I am only showing the Millet and Van Gogh. I am VTSing both with the students  each image on different days, to see  what the students will say. I am staying away from the abstract image because Yenawine suggested beginning viewers stay away from abstract images during VTS. I am also uneasy with the activities suggested by the Common Core Curriculum at times. The language and activities at time seem developmentally inappropriate for what I am currently doing with my students – it is a national curriculum that has not been researched tested and was developed by testing companies.

Reason #2:  I think this is an image my students would find accessible I think it fits the guidelines for image selection for beginning viewers listed by Yenawine for the following reasons –
·       The students can recognize the subject matter
·       The painting lends itself to multiple interpretations
·        It contains stopped action that lends to story telling
·       It is diverse in time
·       It is form of realism (genre)
·       Its theme (family and children) fits in with the Kindergarten VTS images
·       It is a painting that doesn’t lose much through photographic reproduction
·       It allows the students to discuss in terms of concrete observations